Maritime Alps - finished!

By the end of last week I had finished "Maritime Alps" the triptych I have been working on. I think it is the last painting of the "Moments" series for now, as I have had some other work percolating in my head for at least a year, which is a definite departure from this series.

Maritime Alps, mixed media on kraft paper, approx 220 cm x 267 cm triptych, 2014.

Here are some details which show the drawing I did on top of the painting. The drawing is done with a black china marker. 

The signature is towards the bottom of the right panel. This is the first completed work of 2014.

To give a better idea of scale, here I am with the completed painting.

Maritime Alps - still in progress

Still working on my triptych, Maritime Alps. It is coming along nicely - here are some more details which show the progress. This is a detail of the figure on the left panel.

Below is a detail of the figure on the right panel'

This is a detail of the rocks on the right panel. I like Oscar Wilde showing up from the newsprint under the yellow paint (in the top third of this detail).

Maritime Alps - details

I am enjoying being back to work on the triptych I started before breaking for Christmas. I thought I would post a few in progress details. This is a closeup of an area of foreground rock with sea behind.

The background mountains and the top of the mother figure's head.

A detail of the mother figure reaching for her young son on the rocks.

And a detail of the other two climbing figures, where the view of the landscape is still apparent.

Of course, it has all changed (though not "utterly") as these are pictures from yesterday and I was up in the studio painting this morning! Happy days!

Doing and Making!

My colleague at the office is teaching a number of us how to crochet during lunches. For Christmas she most generously made and gave each of her students a beautiful bookmark (mine is centre, light green and pink). I have started on the next project, a small tote bag -- the rich green circles are my work. The items are laid out on the beautiful purple shawl one of my sisters made for me a number of years ago, and the sparkly purple earring was also made for me by the same sister. When making a Christmas stocking for my daughter I utilised the fine crochet work of my grandmother; originally this was trim for a set of pillow cases (which have long since disintegrated being made close to a hundred years ago!)

I made a list of all the people I wanted to make books for this year and started to work. I would not call this a production line, but while I was preparing paper for one book, I just did the tearing for the rest! I am making both leather and "eco" books (ready-made covers from recycled packaging cardboard!). I have two leather books completed.

And hurray! I have been back up in the studio painting my triptych friend "Maritime Alps" which has been so patient over the Christmas holiday period. This was the progress as of last week.

Tree Kids - painting finished!

I finished the triptych sometime before Hallowe'en. I had been thinking it would be difficult to take down, but hadn't a bother last night. Today I will roll it up and who knows when it will see the light of day again! I really enjoyed the time spent doing this painting, and have stayed with my initial title "Tree Kids". It is mixed media on paper, approx 220 cm x 267 cm triptych, 2013.

Here is a detail of a wellie on the tree.

And a detail of the face of the adult "kid".

A detail of limbs and leaves!

Tree and sky detail.

My signature on the bottom right corner of the triptych.

And just to give a sense of scale, me with the finished painting.

Working away...

Before my husband, James, went to West Cork for a few days to give some bronze casting demonstrations, he helped me put up some of that paper that I got during the summer. Three pieces make a nice size triptych. I was very happy and looking forward to doing some work while he was gone!

So this is in progress! Planning to do some more work on it today.

Moments - more paintings!

I recently finished two more paintings in the "Moments" series. This is "Climbing", acrylic on raw canvas, approx 92 cm x 51 cm.

And this is "Snowman", acrylic on raw canvas, approx 58 cm x 72 cm.

That finishes the works on canvas in this series for me, now I am looking forward to doing some big drawings/paintings on that roll of kraft paper I got given to me in the summer. Before starting that, however, I needed to clear space in the studio and reconfigure the plastic drop sheets -- ready, steady, go!

Work or conserve?

Since I have been painting the Moments series on raw canvas, I thought I had better do the recommended conservation procedure of applying gel coats to the finished paintings. I hadn't been doing this as I finished the paintings, so had some catching up to do.  I am now on the sixth painting out of 9 finished works, and it is taking awhile as I need to apply 3 coats to each painting. I can only do one painting at a time, as most of them are large. Currently I am applying the gel coat to Chicago Thumb Wars. The gel is diluted with water and dries a clear matte, so the horizontal streaks which are visible in the closeup below will become invisible. I know this is true because I first did some tests, as recommended by Golden paints, and I already have 5 paintings with the gel coat completed before tackling this one!

I am chomping at the bit to finish the gel coats on these paintings so I can finish two more which are also on raw canvas and get their gel coats done. I want to start some large drawings, still in the Moments series but on kraft paper, throwing conservation to the wind! Last week I was asked by the building manager, at the office where I work part time, if I could use a big roll of brown paper. Yes thanks! My husband James was picking me up at work that day with the car and the roll of paper was waiting for me at the exit as I was leaving. The paper roll was very heavy, so James carried it up to the attic studio for me where it looks at me questioningly every time I am working on gel coats...

Moments - New Paintings

I finished another three paintings in the Moments series and signed them a few days ago (which means they ARE finished!).  They are acrylic washes on canvas.  This one is entitled Together and is 36 cm x 37 cm.

This one I have entitled Flapper, and it is 56 cm x 36 cm.

This is entitled Army Dreamer (thank you for the title, Kate Bush!) and is also 56 cm x 36 cm.

Performance and Paint

We went to the Mermaid Arts Centre this afternoon to hear Vyvienne Long and The Balanescu Quartet do a rehearsal for their gig Saturday week.  It was fascinating to hear them play, and the banter as they tweaked a few pieces to perfection.  It was supposed to be open to the public for half an hour, but 45 mins went very fast.  What a lovely way to spend lunch!

In the meantime, I am also working on some new paintings for my Moments series and revelling in my recent acquisitions from London -- Liquitex paint bought at Cass Art in Richmond and my new Van Gogh book with lots of colour pix!  I have also been enjoying my various bits of reading, including the manuscript of a novel (unpublished so far) of one of my sisters-in-law.

Books & Back to Work!

I finally finished John Man's historical travelogue, Genghis Khan: Life, Death and Resurrection, which was a fascinating book. I was inspired to read it after reading Conn Iggulden's Conqueror Series (Wolf of the Plains, Lords of the Bow, Bones of the Hills, Empire of Silver, and Conqueror) -- historical fiction about Genghis Khan's rise and events down to the rise of Kublai Khan (Genghis' grandson). Some exciting books!  Now, as well as getting back to some other books I was reading (Kurt Vonnegut, Drawing on the Right Side of the Brain, to name a couple) I have also started Penguin's collection of Van Gogh's letters. I read Dear Theo when I was in art school, but that was a long time ago...

And what is this a picture of? I did some work today as I want to continue with my Moments series. I want to do some medium scale paintings, but don't want them on regular stretched canvas and don't want them on paper. So I have half stretched some canvas on old wood frames, and will just cut them to size when I am finished. Because they are half stretched they should have a bit of bounce while I am painting, and I will just cut them off the frames when finished.

The eggs are gone, so now I have been catching up on other stuff!  I finished reading The Moonstone by Wilkie Collins (contemporary and friend of Charles Dickens), a whodunnit that I thoroughly enjoyed.  I have also just finished reading Steal Like an Artist  for the second time in 30 days!  I have been preparing images for the update of the lorjames art website, including the following:

The above is entitled Chicago Thumb Wars from the Moments series of paintings on raw canvas.  I started this body of work last year (for more details go to ART link on right bar).  Below is Auspices -- both of these paintings were inspired by our visit to Chicago in 2010.  I'll be starting back to work on this series next week.