Showing posts with label Placement©. Show all posts
Showing posts with label Placement©. Show all posts

Wednesday, 9 July 2014

Street Art

The topic of street art is a huge one that interests me. I love being surprised by street art -- such as images of Space Invaders, colourful and pixellated as tiles affixed on building walls in both Bray and Barcelona, or plaster heads peering at me disapprovingly as I make my way home from the Harbour Bar in Bray! [This series, "Lose the Heid" was created by Bray-based Scots artist Gibb.]  I recently read an illuminating article in Brainpickings on Shepard Fairley, the street artist/graphic designer, known for his Obama "hope" posters. Fairey's "Obey" campaign is fascinating and he talks about it in this very short YouTube film directed by Brett Novak.


In Toronto in the 80s there was a street artist who bolted lacquered and painted books to public places (lamp posts, chain link fences around parking lots, etc.). I lived in the downtown area and was always happy and amazed to come across these pieces unexpectedly. The works were definitely site-specific with the image content subversively appropriate to their location. Unfortunately it never occurred to me to take photographs at the time. I do remember though that the pieces were noticed by the powers-that-be in the city; since property would be destroyed by cutting the bolts to remove the books, the decision was made to send a worker out to paint all the artworks white...At least one was missed near where I lived on Queen St. West, as it was bolted near ground level, and could only be noticed if, say, you were crawling home along the pavement (not that strange an idea at Queen & Bathurst in 1988).


In 1997 I took part in the Ireland & Europe exhibition/symposium hosted by the Sculptors Society of Ireland. I created a series of stencils which included the stars from the European flag and the name of each member country of the EU printed in both its own language and in Irish. The irony of being "allowed" to create graffiti on the streets of central Dublin (around Parnell Square) was not lost on me! I enjoyed the performative quality of the piece too, as I created the graffiti in broad daylight and spoke to anyone who stopped to enquire as to what I thought I was doing!


From 2009 to 2012 I (and various friends & members of family) engaged in the stickering project Placement© in which small stickers with images of my artistic oeuvre were surreptitiously placed at locations around the world. Cities such as New York, London, Toronto, Chicago, and Prague got their fair share of Placement© stickers.


But other locations included a ski chair lift in Lake Tahoe, USA


and overlooking the Mediterranean Sea at Antibes, France.


Quite a few placements were also made in smaller towns and rural areas of Ireland as well as unusual places on airplanes! For more information on Placement© look here.

Thursday, 27 June 2013

Antibes

I did a Placement© off the balcony of the apartment we stayed at while in Antibes. The fuzzy white blur in the distance is Jaume Plensa's Le Nomade lit up at night. The sculpture at the harbour was a convenient short walk from our apartment.


I like coming across interesting graffiti in different places. Though it looks like a drawing in this photo, I think it was actually a stencil/spray image.


One day while walking along the town ramparts along the sea, there were a lot of signs up. There was a major car rally as citroen after citroen drove by with the car occupants waving. In every car it was the same: the occupants wore blue-rimmed sunglasses. This sign, though, we figured was probably for the benefit of a wedding cavalcade using the same route as the car rally!


On the Saturday morning we decided to go to the archaeological museum situated near the seafront in a medieval army barracks.  The museum was quite beautiful, consisting of two large tunnel-like rooms with high ceilings.  It was a small museum but had some fabulous artifacts.


Most of the artifacts were found around Antibes, including items from shipwrecks off the coast. It was interesting to see familiar artifacts, like ancient urns, covered in barnacles. And really great not to be separated from the objects by glass.


Wednesday, 20 February 2013

London - 2

We spent a day in the Science Museum, which is pretty fabulous!  There is a huge hands-on section for kids of all ages.  Here we are learning about infra-red and heat detection.


We also saw a 3D Imax film, Deep Sea, which we thoroughly enjoyed!  Elise was delighted that Captain Jack Sparrow (aka Johnny Depp) was one of the 2 narrators (Kate Winslet being the other).  We also went to the short Apollo Experience in 4D (the chairs moved, we got sprayed by water at splashdown, etc.).  It was a full fun day!  The next day (I think) among other things, we went to the British Museum to meet up with some favourites.  Elise wanted to see the Rosetta Stone again as she didn't remember it from last time and her class had been studying Egypt earlier this year.  We also made special re-visits to the Sutton Hoo artifacts which I love, the Egyptian galleries and the Easter Island giant stone figure.


We got to the Saatchi Gallery on the Wednesday, specifically to see Richard Wilson's installation in the basement.  The room is filled with sump oil except for that small angular walkway.  Unfortunately the walkway is not open to the public, so viewing is from a balcony.  The reflections are pure and the room is so serene.


I also did a Placement© while we were waiting to check in, as we had arrived a bit early to Heathrow.