Showing posts with label fountain. Show all posts
Showing posts with label fountain. Show all posts

Wednesday, 22 July 2015

Iowa City Sculpture

I was in Iowa City the last week of June for my husband's family reunion.  Downtown Iowa is a beautiful city, pedestrian friendly, and has a lot of public sculpture to enjoy. This bronze sculpture by Jane DeDecker suits its environs perfectly -- most often when I passed it there were children playing in its vicinity. 


Another bronze sculpture, Jazz, is by Gary Alsum. I think the vibrancy of jazz is well caught in this work.


There are quite a few abstract sculptures in the pedestrian zone too.


I particularly like this wiry tornado. (Oops forgot to record the accrediting plaques for these works.)


I was too busy looking at the map depicted and reading the pirate-like inscription to realise at first that this was a book.


A few steps had my understanding sorted out. I like the idea that you could be sitting on a bench reading under the silent stare of a giant book.


Outside the pedestrian zone, I came across this series of sculptures inlaid into the footpath. 


It's difficult to tell, but the grey arcs are sentences - letters depressed into the footpath.


 I am not sure if the author is a well-known Iowa poet, but by the language it is not a modern poem.


I like this bronze depiction of sheet music and that the artist is using an aural art form visually.


I was unable to find the credits, so I don't know if the bronze pieces are done by the same artist who did the arc lettering, or indeed if all the pieces are done by separate individuals in collaboration. In any case, they were all delightful to come across!


Most events for the reunion took place at the Grant Wood historic home, owned by my husband's uncle. In 2005 my husband, James Hayes was commissioned to create the bronze sculpture, entitled Ball, for the fountain in the upper garden.








Wednesday, 25 February 2015

Visit to Rome - 1

I had the great fortune to be in Rome last week. It has been 16 years since my first visit, and the Eternal City has both changed and remained much the same. When there in 1999, there were a lot of preparations for the Millenium and thus many sites were getting a makeover; often I would visit something one day only to return the next day and find it covered in scaffolding. The church of Santa Maria Maggiore was closed on my previous visit, but this time, since it was near my hotel, it was one of the first sites I visited. The church's opulence is mind-blowing!


As well as basking in the warmth of Rome (16 C) it was a delight to be there during Carnevale as there were many street performances and an atmosphere of celebration. There was a grand piano set up across the road from the forum and four singers took the stage (individually, as duets, as a group) to sing popular opera songs.


I love the Pantheon. Originally it was a temple to all the gods, now it is a church; most definitely a sacred place.


The Pantheon's dome is it's most amazing feature, with the open circle spreading the natural light. When I was at university and taking a Roman art & architecture course, my professor had shown some personal photos of the city, including the interior of the Pantheon after it had been raining - puddles under the dome. I have been enthralled since.


After a pleasant stroll from The Pantheon, I found myself visiting the very baroque church of St Agnes in Agone (left of the fountain) in Piazza Navona. The picture below is one of Bernini's fountains.


Below the Spanish Steps, at Piazza Spagna, my guide book identifies this as another Bernini fountain or perhaps a fountain designed by "his less famous father". Though I like this fountain, most especially as there is seating around it, my guess is that it is senior Bernini's design, more staid and with less dynamic movement! Unfortunately the day after I was in this piazza, there was a match of some sort and small riots attributed to 6000 drunken Dutch fans did millions of euro worth of damage to the fountain and the piazza in general.