Summertime - music gigs!

I think it is common worldwide that musical people equate summer with gigs. Although bands play year-round, there is a proliferation of outdoor festival gigs in the summer, and there are also other annual music events that mark the beginning of summer.

Here in Ireland, where I live, the May bank holiday weekend (always including the first Monday of the month) is marked by the annual Bray Jazz Festival. It has been going strong for 19 years now, and though the Town Hall gigs are no longer free (as they were in the first few years), there is still the pub trail that sees a huge amount of free live music in bars all over the town. One of my locals, The Harbour Bar, was hosting several live gigs daily over the weekend and I saw that The Tommy Halferty Trio, who I had seen and heard and enjoyed a number of years ago, were scheduled to play the Sunday afternoon of the festival..

Halferty is a jazz guitarist extraordinaire and the first set included some great improv jazz from Halferty's latest album, Station Midi, as well as "standard" work by the likes of innovator Thelonius Monk. Since it was a gorgeous, summery weekend, I refused to stay in the cave of a pub (often in Ireland you could miss the summer by blinking) so I only stayed for the first set and gave up my prime seat at the bar to people arriving for the second set and the rest of the gigs taking place that day and night..

Some friends had invited us to spend the warm evening with dinner and drinks in their gorgeous garden that evening, so leaving the pub was not a hardship! By my good fortune, those same friends had a spare ticket to see The Rolling Stones in Croke Park a few weeks later. And summer persisted, so it was a completely unforgettable evening by those four legends. I definitely have to hand it to those wrinkly rockers for putting on an incredibly amazing show.

Last night the summer of gigs continued for me as I headed off to Malahide Castle in north Dublin to see LCD Soundsystem. The gig was fabulous, helped by the atypical continuation of summer weather - even James Murphy (LCD's front man) declared incredulously "this is the longest sunset I have ever seen!" We never saw the castle because the grounds are huge, and the gig was in an outdoor area. It is a good venue to see a band in fine weather, but boy what a trek from where I live!

My love of music has really worked out well this summer, winning tickets to the Bryan Ferry gig at Trinity College in July. And I was absolutely over the moon to win tickets this past weekend to see two more rock legends in the autumn when Van Morrison and Robert Plant (with the Sensational Space Shifters) play a double bill at the 3 Arena in Dublin. Wow! Many, many thanks to Radio Nova, the Dublin radio station that I listen to constantly.

IMMA - Nick Miller & Edward Maguire Archive

 On Saturday I was at IMMA to have another look at a few of the shows there. There were three shows featured in the Garden Galleries, but I followed my daughter to the top floor to the Nick Miller & Edward Maguire Archive exhibition. There was jazz playing in the final room of the show (the sound had drawn my daughter to it), so we started at that and went backwards through the rooms.

While it's always great to see a painting show, as a painter I am always even more interested in the artist's tools, studio environment and method of working. So this final room was for me the best way to begin looking at Miller's reponse to Maguire's work.

There was even a key to the objects from the archive.

It was interesting to see the wizard costume hanging on the wall and later see it in a portrait. Theoretically one would see the painting first and then the costume, if one had followed the room chronology, but I think it works in either direction.

 Both Nick Miller and Edward Maguire are (and were, respectively) portrait painters -- Miller's work very expressionist and loose, and Maguire's almost hyper-real and controlled. In Edward Maguire's portrait of Paul Durcan (I think from the late 1970s) I could easily recognise the poet whom I had had the pleasure of hearing speak and read on several occasions in the 1980s.

I love Miller's portrait painting style. This is obviously a more recent portrait of Durcan; at least his aging wasn't a complete shock to me as I had already been made aware of the passage of time (with regard to someone else) when I saw Durcan more recently in a documentary about the Edward Maguire archive.

At IMMA, there was a display vitrine near Maguire's portrait of Anthony Cronin that contained the objects (ancient iron, pot & plate) that are included in the portrait. The exhibition was a joy -- seeing the studio artefacts in their own space, props displayed alongside paintings, jazz music (Bill Evans) permeating the space and the work of a completely different artist displayed in respectful response to Maguire's work.  I really enjoyed this exhibition of art and artefact.

Iowa City Sculpture

I was in Iowa City the last week of June for my husband's family reunion.  Downtown Iowa is a beautiful city, pedestrian friendly, and has a lot of public sculpture to enjoy. This bronze sculpture by Jane DeDecker suits its environs perfectly -- most often when I passed it there were children playing in its vicinity. 

Another bronze sculpture, Jazz, is by Gary Alsum. I think the vibrancy of jazz is well caught in this work.

There are quite a few abstract sculptures in the pedestrian zone too.

I particularly like this wiry tornado. (Oops forgot to record the accrediting plaques for these works.)

I was too busy looking at the map depicted and reading the pirate-like inscription to realise at first that this was a book.

A few steps had my understanding sorted out. I like the idea that you could be sitting on a bench reading under the silent stare of a giant book.

Outside the pedestrian zone, I came across this series of sculptures inlaid into the footpath. 

It's difficult to tell, but the grey arcs are sentences - letters depressed into the footpath.

 I am not sure if the author is a well-known Iowa poet, but by the language it is not a modern poem.

I like this bronze depiction of sheet music and that the artist is using an aural art form visually.

I was unable to find the credits, so I don't know if the bronze pieces are done by the same artist who did the arc lettering, or indeed if all the pieces are done by separate individuals in collaboration. In any case, they were all delightful to come across!

Most events for the reunion took place at the Grant Wood historic home, owned by my husband's uncle. In 2005 my husband, James Hayes was commissioned to create the bronze sculpture, entitled Ball, for the fountain in the upper garden.