Rooftop archive 5 - Tidal Series

Continuing with the 1980s work from the rooftop archive (which I have previously blogged about here, here, here and here) I was delighted to see the pastel drawings from the Tidal Series. These drawings are all on paper 76 cm x 56 cm.

I specifically remember the summer night of 1986, in my apt in Toronto, feeling unsure of where my art was going now that I had finished my education. 

After a phone conversation with a good friend, however, I felt confident and invigorated and the drawings came to me, fast and furious, using both hands.

I did a purge of my work before I left Toronto in 1993 (again), so not all of the original pastel drawings survived.

In 1986 I had decided to create 27 paintings from these drawings before I turned 27 the following year. The large paintings (I got to 18 of them: 4 ft x 3 ft canvases) did not have the same vigour and I destroyed them all

.

I also did not keep all the pastels, just these 7 that tell the story. I always saw it as an animation and finally created a short animation related to the project several years ago. 

I have previously blogged about the Tidal Series here and have also blogged about the related collages and collage cards here and here.

With this work, I always felt indebted to and recognised the relation to Andrew Wyeth’s haunting painting Christina’s World, which I saw at the MoMA on my first trip to NYC in 1980. 

The Tidal Series - Collages

In July I posted some images from The Tidal Series, pastel paper drawings plus what was left of a series of acrylic paintings -- a little figure that I had cut out from one of the 18  4' x 3' canvases! So I was pleasantly surprised that four collages from the series were in that drawing box I re-discovered a few weeks ago. I never expected these collages to still be in existance!

 Around this time (1986 perhaps?) I was getting ready for xmas and making cards. That year I had the brilliant, crazily time-consuming idea of making individual collage cards with the figure from the Tidal Series enjoying falling snow. Needless to say, this involved a lot of gluing tiny pieces of white paper onto about 50 cards... I know I still have a few of the cards myself, but the little card box they are in is somewhere in the black hole of my attic studio. I will eventually find them, but not today.

These four collages, though, are not greeting card sized; they are 55 cm x 37 cm. The coloured paper is mostly standard copier colour paper, but the interesting bits have other sources. In those days in Toronto (and environs) industrial estates had dumpsters that could be scavanged for great art supplies -- the glossy yellow paper, silver paper and gold tape (which I cut in thin lines) all came from a dumpster. The patterned turquoise of the figure's skirt is from wrapping tissue from a gift a friend gave me. I used a mix of matte and gloss medium as my glue, so there is an overall sheen on the collages. I still have some of the silver paper and gold tape with my supplies almost 30 years later and I still save interesting scraps of paper for use in collage cards that I still make for special occasions.

I love the combination of bright pink and silver, something I associate with a smallish Jackson Pollock painting I saw in New York on one of my early trips there. I am pretty sure the image below represents the last of the four collages that I made -- I thought the figure by this time was self-assured and had coralled the stars into the gold "net" formed by the gold lines emanating from her hands.

The Tidal Series

Recently I came upon an image of Andrew Wyeth's painting "Christina's World", a painting I loved as soon as I saw it in New York on my first visit there in spring 1980. It was nice to be reminded of this painting and also to remember it's associations for me and effects on my own work.

In 1980 one of my sisters, her husband and young daughter were moving back to Ireland. In the week before they left I was minding my baby niece and did a sketch of us (by mirror) which I shortly thereafter turned into a painting, "Me & Jess". In this painting I was wearing my favourite outfit at the time, a turquoise skirt (with tiny Miro-like patterns on it!) and a red tank top.

This outfit later was a way of identifying myself in drawings, paintings and collages. After I finished my Fine Art degree in 1986 I was suddenly hit with a moment of insecurity about my future as an artist. After speaking to a friend about my lack of ideas and unsureness of where my art was going, I could not sleep and had a vision of a series of works which I later came to understand as transformation. I remember clearly leaping from my bed and gathering paper and pastels to furiously draw the images (at this time I was using both hands for drawing) before the idea disappeared.

In the first drawing (above) the figure is crawling to the water. This is the drawing which I associate with "Christina's World". In later drawings the figure encounters something in the water - her reflection, her spirit, her home - and becomes one with it before transforming into a red-sailed green boat, sailing through the firmament. This image of the boat often appeared in my dreams at the time, and was most definitely me. The image below is one of the later drawings, where I imagine some spinning happening and the yellow will later turn into stars.

I had planned to do a series of 27 paintings based on these drawings before I turned 28. I did 18 of the paintings, but never felt they had the same energy as the drawings, so abandoned the project as I began other work. I then got ready for my first move to Ireland (Aug 1988) and began my first "Great Purge" in which I destroyed quite a lot of my work and belongings, as I could not store or take everything with me. I did cut out one of the figures from one of the paintings, and that remains with me, in a corner on the wall in my attic.