life during lockdown Part 2

Time during this lockdown is totally bizarre! Even things that happened recently seem long, long ago. I am just re-capping here a couple of highlights of May and June, and I feel like I am looking back at years ago. At the beginning of May I was happily working on some oilstick drawings in my studio, as part of the Memory Is My Homeland series and finished this piece, Kingswood Iris. I have previously blogged many times about different pieces for this series, and I have posted those links in last week's blog, which can be found here. I have specifically talked about Kingswood Iris here.

Signal Arts Centre re-opened in June so that staff could prepare for a public re-opening in July. Because of this, a number of firings were put on as there was a plethora of ceramics from the workshops that were waiting patiently since March for something to be done with them. One of the first things of mine that came out of a glaze firing, was the large glaze-painted tulip vase. Three years ago, I had meticulously painted a tulip design on a vase but the results were disastrous as what I thought was a white glaze was, in fact, a glossy white paint! The results sat idle for a number of years until I decided to revisit the vase in the New Year. I blogged about the process of reclaiming this vase here, including giving links to the initial work and failure.

In the latter half of June, I took a 2-part silk fibre paper-making workshop via zoom. I was completely unaware of this process for paper-making but loved it and could immediately see the possibilities for my future artmaking! I blogged in more detail about this workshop here.

In addition to my tulip vase (above), I also had a number of draped slab dishes come out of the kiln in June. I had glazed several of them with a crackle white glaze, the crackle in this glaze only becoming apparent after India ink is applied and rubbed off. I blogged about this process here.

Also in June, I took part in the "Grasp the Arts" campaign. The point of the campaign, for me, was to highlight the role of artists in society's general mental well-being. Many art practitioners, in the widest sense, have lost work and opportunities during the lockdown. An under-acknowledged field of work, the arts are the mainstay of civilisation and survival and it is during lockdown that people have turned to the arts for entertainment - through binge-watching tv shows, streamed music, fb & instagram music &  poetry gigs, theatre, opera, literature, etc - to mentally survive this crisis. I discuss this campaign further here.

Draped slab ceramic serving dishes

In the late autumn last year I started making some draped slab serving dishes. My intention was to make them quickly and sell them at the xmas craft in December. Of course, things always take a bit longer than I expect, but they worked out fine. I had two formers, one of wood and the other of plaster, bowl-shaped and I overturned them in order to simply drape a slab over them, with a cling-film layer between the clay and the former.

I've been doing a new style of foot lately, in two pieces - two arcs making dishes "float" above a table surface.

I never took photos of how I attached the feet to the 2019 dishes, but I did for recent ones (note the date). After deciding where the clay arcs would be placed and tracing their outlines, the areas would be scored and slipped.

The feet are also scored and slipped, and after affixing to the dish, I lightly paddle them down (with a wooden paddle) in order to ensure that there is no air between the dish and the foot. This is usually apparent when some slip oozes from the joint.

Dried and ready for the first firing, here are two terracotta and one white buff draped slab serving dishes.

After bisque firing the pots are ready to glaze. I decided to glaze the underside of the dishes so the texture when handling wouldn't feel abrasive.

Though this may look like only one glaze, there are actually three different glazes on the terracotta dishes: a base layer of cobalt blue with splashes of two runny glazes (aquamarine and sea green).

I had already witnessed these colours interacting in a lovely way, and was not disappointed.

Both dishes were bought within two days of being for sale, so again I was pleased.

While I made a draped slab dish from white buffclay, I later made two smaller dishes from grey buff. I decided, since I was including them in the xmas fair that I would glaze paint a holly design on them.

I forgot to take pictures of the finished grey dishes before they sold, but they had a white glaze underneath the holly. The white buff dish simply has a clear glaze underneath the holly design. This dish is larger than the grey ones and I'll see it again on my Christmas table setting!