Wednesday, 18 May 2016

Stable IMMAGES - Studios 9 & 10

It seems like ages, but it was only two weeks ago that I went to IMMA to see the exhibition of first year IADT art students. The exhibition was the culmination of research and work they had been creating in response to being based at the Irish Museum of Modern Art since January.  In my previous post I had a look at some of the work that required darkness for exhibition (in Studio 5) and some of the work that was sited outside. As I said in that post, I was very impressed with the cohesiveness of the exhibition and maturity of the work. 

On entering these exhibition spaces, via Studio 9 the variety and scope of the work was immediately apparent.


There were two short animated videos on one monitor. This one used the images of a red hand and a red face to interact with specific surfaces in the architecture of IMMA.


There was quite a lot of research into IMMA's architecture in this series of drawings & photographs, but because there were no labels for individual works, I could only wonder if this was the research behind the blue scale model of IMMA hung on the wall in Studio 5 (I posted a picture of it last week).


I spoke to the artist who took these photographs of colourful, temporary interventions she had made on various IMMA walls.


This photographic installation referred to the Greek myth of Narcissus.


The works are self-portraits of the artist, distorted by photographing through smoke, water and other materials.


Apparently this artist intensively examined architectural spaces around IMMA before creating detailed temporary chalk on black board drawings.



This series of photo documentation of mirror and light experiments was intriguing.


And I wondered if these experiments were the background for this installation of plastic sheeting and blue threads? However, this I will not know as I only met a couple of the students, and hadn't asked about this piece at the time.


So my gripe about the show is regarding non-labelling and attibution. Although the artists involved were named at the entrance to the studios, a floor plan should have been available to answer simple questions of authorship. Otherwise, I was greatly impressed by the exhibition and look forward to seeing more work by these developing artists.