Dunn Ave, oilstick & graphite on wood, 25.4 cm x 25.4 cm, 2019
In July I did a sketch for a larger work related to the house that I grew up in. I would describe it as being about "growing up, leaving home, and trees & flowers". Kingswood, in the east end of Toronto.
I finished the large painting before the end of 2019, but that will provide a blog post on its own. I used the image from the corner of this painting (a memory of my Communion Day, though for the painting I removed the veil) to feature in some prints.
I previously blogged about going to the Trinity Arts Workshop to learn about carborundum (which can be found here) and it was after printing out the carborundum prints that I decided I wanted to include some linework in the final print. I returned to the TAW to etch a corresponding copper plate and was shown how off-setting a print from the carborundum would facilitate a perfect correspondence. I had never encountered this process before, so it was like magic!
While I was resident at Signal Arts Centre at the end of last year, I did a few more test prints of the carborundum plate. I still have access to a small press and plan to finish the copperplate in drypoint before combining the plates for a final print edition.
I used the Communion image again for a monoprint, but unfortunately I think I applied too much pressure when running through the press, and the ink stuck to and ripped the paper. This is the actual plate before I put it through the press.