I still wanted to glaze the vase using the original tulip design, and I still have that design as I had been using it as reference for the tulip patterns on my terracotta dinnerware set (I blogged about the bowls here, and that post contains all the links to other parts of the set). I simply applied graphite to the reverse side of the design and traced the floral outlines,
transferring the pattern to the vase.
Then I began, colour by colour, to paint in the design with glaze.
As can be seen here, it wasn't possible to remove all the debris from the initial disaster, so I resolved to simply take the chance on re-glazing and see if these blemishes added an interesting effect to the final vase.
The underlying vase is a pale colour but I decided NOT to glaze paint any outlines on the design this time round. Though the lines between colours appear quite strong in this picture, I expected that it would be more subtle in the firing.
After the disaster of three years ago, I liked the look of the melted blue glass so did not have it removed with the other detritus. I hoped the second attempt at firing the vase would not be unkind to this effect.
I was pleased with the final results.
Signs of the first firing are random and not particularly intrusive (for instance the interior spot visible on the right side in this picture) .
Another view of the fired vase.
This view shows that the stained glass was happy enough with the second firing, showing off it's mix of several colours of blue.