Showing posts with label Kingswood Irises. Show all posts
Showing posts with label Kingswood Irises. Show all posts

Wednesday, 12 August 2020

life during lockdown Part 2



Time during this lockdown is totally bizarre! Even things that happened recently seem long, long ago. I am just re-capping here a couple of highlights of May and June, and I feel like I am looking back at years ago. At the beginning of May I was happily working on some oilstick drawings in my studio, as part of the Memory Is My Homeland series and finished this piece, Kingswood Iris. I have previously blogged many times about different pieces for this series, and I have posted those links in last week's blog, which can be found here. I have specifically talked about Kingswood Iris here.


Signal Arts Centre re-opened in June so that staff could prepare for a public re-opening in July. Because of this, a number of firings were put on as there was a plethora of ceramics from the workshops that were waiting patiently since March for something to be done with them. One of the first things of mine that came out of a glaze firing, was the large glaze-painted tulip vase. Three years ago, I had meticulously painted a tulip design on a vase but the results were disastrous as what I thought was a white glaze was, in fact, a glossy white paint! The results sat idle for a number of years until I decided to revisit the vase in the New Year. I blogged about the process of reclaiming this vase here, including giving links to the initial work and failure.


In the latter half of June, I took a 2-part silk fibre paper-making workshop via zoom. I was completely unaware of this process for paper-making but loved it and could immediately see the possibilities for my future artmaking! I blogged in more detail about this workshop here.


In addition to my tulip vase (above), I also had a number of draped slab dishes come out of the kiln in June. I had glazed several of them with a crackle white glaze, the crackle in this glaze only becoming apparent after India ink is applied and rubbed off. I blogged about this process here.


Also in June, I took part in the "Grasp the Arts" campaign. The point of the campaign, for me, was to highlight the role of artists in society's general mental well-being. Many art practitioners, in the widest sense, have lost work and opportunities during the lockdown. An under-acknowledged field of work, the arts are the mainstay of civilisation and survival and it is during lockdown that people have turned to the arts for entertainment - through binge-watching tv shows, streamed music, fb & instagram music &  poetry gigs, theatre, opera, literature, etc - to mentally survive this crisis. I discuss this campaign further here.


Wednesday, 24 June 2020

Kingswood Iris

In February 2019, I started preparing some canvas pieces with a view to creating some smaller works in the Memory Is My Homeland series. Further details and images related to this series, including additional links, can be found here.


As usual, I applied a ground coat of quinacridone violet acrylic paint. My plans were to do a piece using oilstick & graphite, so while ensuring that the canvas ground was protected with gesso, I also expected some colour may show through and I wanted colour as opposed to white.


This particular canvas piece was long and narrow and I knew the finished work would be vertical rather than horizontal. After finishing the large painting, Kingswood, I was leaning towards making hollyhocks my subject. However, other flowers in that painting, which are meaningful to me, are the purple iris, a clump of which were situated by the steps at the front of the house for the duration of my growing-up years. This summer my daily coronavirus short walks take me past some beautiful iris in my current neighbourhood and I decided that I preferred to make them my subject again (iris have appeared in MANY works over the years).


Work-in-progress in the studio.


Kingswood Iris
oilstick & graphite on unstretched canvas
approx 87 cm x 30 cm
2020