First shinrinyoku of 2019!

Spring definitely seems to be here! Lately, I have seen so many beautiful trees in full bloom - magnolias, cherry blossom, apple blossom - and the days are getting brighter and longer. Sunday was a perfect day to go for some much-needed shinrinyoku, that is, forest bathing.

Not far from my home is the lovely village of Enniskerry, where one of my favourite outdoor places, Knocksink Woods, is located. It is a wood divided by the Glencullen River's quick flow. This reminds me of Taylor Creek in Toronto (where I grew up); it is the kind of "river" where the bottom can easily be seen and one can get to the other side by getting your feet a little wet or stepping on stones. Knocksink Woods does have several sturdy bridges though, so there is no problem exploring either bank without wet feet. And a game of Pooh Sticks is de rigeur for every bridge.

The sun was shining quite a bit. I didn't bring my sketchbook with me, but I love all the spindly trees.

And spindly branches and gnarly trees.

To my surprise the wild garlic ground cover in shady areas was coming up healthily! Though I didn't expect to see it, I had brought a collecting bag and picked enough leaves to make some wild garlic pesto to go with dinner. There were even flower buds; I will return next week (weather permitting) to do a bigger forage and make batches of pesto for the freezer too. I make wild garlic pesto every year and a full recipe with pictures can be found on a previous post, here.

More tree tangles!

On the glen path back to the road I loved seeing the trees tilt down the slope

with shadows undulating on the uneven ground of the hill.

pastel drawings

I have been busy with a lot of writing lately (poetry, short stories, art criticism). At the end of January my short review of William Crozier: the Edge of the Landscape at the Irish Museum of Modern Art (IMMA) was published as part of CIRCA magazine's This Matters Now series. I saw this exhibition a few months ago, and blogged about it here, but you can read the review here. I was also delighted that my short story, Prayers for My Children was published a few days ago in the online journal, Tales from the Forest; you can read it here.

Last week I decided that, even though I hadn't finished cleaning up the studio, I wanted to do some visual work, other than ceramics. I pulled out some chalk pastels and heavy grey paper and began drawing.

As may be apparent from my prints and handmade books over the past year or two (see here, here, and here), I am inspired by my times of "shinrinyoku" (walks in the woods for good health)

and by walks along the seaside where I become obsessed with pebbles at the shore (also see here and here).

I really enjoyed drawing with the chalk pastels as I was able to lay down shapes and colour to effect quite quickly.

Sticks - accordion book

I conceived of "Sticks" as a simple accordion book for a single, long format intaglio print with ceramic covers. The print is a horizontal image of sticks based on some sketches I had done of wood debris floating in the Glencullen River in Knocksink Wood.

I had created a unique protype, "Shinrinyoku", of this image as an accordion book in June. I made the prototype to figure out how an accordion book could work, using handmade paper for the drawing and for the covers.

Because I wanted the front cover of the "Sticks" book to have some relationship to the future intaglio print, I created a bark stamp that could be pressed into the clay slabs that would be my book's front covers

The stamp itself was simply made from some scrap wood and the bark affixed to the front of the stamp with pva glue.

Although I coated the entire stamp to seal it, when using it on the clay it worked better to have a layer of cling film (Saran wrap) between the stamp and the clay slab. For the back covers, I simply used a rubber stamp kit to press my name in the clay slabs.

I was doing an edition of ten books, so needed 10 final intaglio prints of the image. I have detailed how I converted a pasta machine into a flatbed press in a previous blog (here). The small prints created using this press are only limited in size in one direction (in this case the length is shorter than the width). The prints are on Khadi 100% acid free handmade Indian rag paper.

When the prints were ready I did a general layout of how I would like the completely open book to appear, with both the front and back covers visible. This would give me an idea of how to fold the book.

Or rather, giving my trusty assistant the idea of how to make the folds (I fully recognise that my husband tends to measure more accurately than I!).

The prints were affixed to the background of Fabriano with pva, along the top only, prior to making the folds.

Components ready to be turned into books!

A view of the back of the accordion book.

A view of the front of "Sticks".

Knocksink Woods - sketches

We have had some gorgeous weather over the past few weeks and, as I mentioned in previous posts, I have had the opportunity to enjoy some shinrinyoku in the nearby Knocksink Woods of Enniskerry. As well as foraging for wild garlic to make pesto, I have also been taking the chance to do some research for a project that I am at the early stages of.

I am excited to be going to a one day printmaking workshop at The Print Museum, Dublin this Sunday and in preparation I wanted some sketches of stick forms.

I am not sure if prints created at this workshop will make their way into my final project, but at very least they will be additional research.

 The project involves making books (these sketches are in one of my handmade sketchbooks), prints, and some natural elements like sticks and stones.

These pencil sketches are true to the stick forms that they represent, but by focusing only on the sticks, leaving out their surrounding environment, they have become very abstract.

Knocksink woods

The springtime weather is really becoming obvious over the past few weeks. Of course there are some glitches in the form of storms, wind and hail, but the longer days, flowers blooming, trees in bud and quite a few warm days give that great sense of renewal.

With decent weather, and despite the feet still bothering me (almost a year of plantar fascitis!) it was well beyond time for me to partake in some shinrinyoku (forest bathing for relaxation). A short drive inland leads to the lovely Enniskerry and Knocksink woods.

The sun was shining, the sky was blue and the ground cover of wild garlic was becoming apparent. We picked some young leaves (of which there was an abundance!), picked up some crusty bread on the way home and it was simple to whip up a batch of wild garlic pesto (recipe posted previously) and have an almost summery lunch of bruschetta. A perfect day!

Wild Garlic Pesto

We thought it is normally not out till May, but my husband thought he saw some wild garlic by a roadside a few weeks ago, so this afternoon he and our daughter went for some shinrinyoku in Knocksink Woods in Enniskerry (unfortunately I am having foot problems so had to skip going for a walk). Sure enough, the forest floor has started greening with it. Lots of buds, so their season is at the beginnings.

Regardless, there were plenty of flowers, and all parts of this wild garlic plant are edible. The flowers are a sweet and subtle garlic, the stems and leaves are like a garlicky chive. The leaves would be a bit fibrous to eat on their own I think, but processed in a pesto they are absolutely fine.

I grated the parmesan and set aside, then looked in my cupboard for the nuts. I used brazil nuts and some pre-shelled unsalted pistacchios that I had. Normally I use unsalted cashews, but have also used walnuts in a pinch (a bit of a stronger, woodier flavour) and of course, the classic pine nuts. Whatever nuts are used should be unsalted so that the final flavour is not falsified.

After a quick rinse of the wild garlic, bend the leaves and stems to fit in the processor.

Add some grated parmesan and olive oil.

Whizz of course, adding more ingredients (depending on the size of your processsor).

Consistency of the finished pesto is entirely by preference. Amount of ingredients is entirely to one's own taste (i.e. -- if you love cheese, add more! if you want it to be really green, add more leaves, etc).

More Shinrinyoku!

We are getting lots of gorgeous days, plenty of time for shinrinyoku (Japanese for "a walk in the woods for relaxation"). A few weeks ago we had passed a road sign for Knocksink Woods and had never been there, so Saturday we decided to explore - it was less than 10 mins by car from our house! The woods were fabulous, with all kinds of gnarly trees and exposed roots continuous up the side of the mountain.

 The Glencullen River passes through these woods, and there are lots of little waterfalls, and what I would describe as a creek. Of course I brought my sketchbook and trusty watercolour pencils. I found a rock to sit on beneath a bridge and opened my sketchbook...

We crossed the bridge to walk back on the other side of the river and were stunned that areas of wild garlic were as far as the eye could see, providing ground cover in the woods.

Of course I had to pick some and made two more batches of pesto (using walnuts this time) dividing in meal-size portions for the recently defrosted freezer. Yum!

Walks and Sketching

 I am getting back into the habit of taking a sketchbook with me everywhere I go. I used to do this when I was younger, having sketchbooks of a ridiculous number of sizes and for every possible occasion! A few months ago when I was specifically looking for early "cityscape" sketches for the painting I was working on, I came across quite a few sketchbooks that were half empty. I decided it was an awful waste of paper if I just left them, so decided I would simply turn the sketchbooks upside down and start from the now "first" page -- and make sure I put in current dates so that any new sketches would not be confused in my artistic timeline!

As I have mentioned before, I went on a little jaunt to the Waterford area after Easter. On the way there I stopped in Carlow to visit the art centre there and have lunch. Prior to that, however, I was on a mission to find the Browne's Hill Dolmen which I had looked for unsuccessfully about 20 years ago. Now it is well signposted, no trouble at all finding. I took my sketchbook with me to see what I think is the most amazing and best example of a dolmen that I have seen.

As the weather has become less and less wintry, I have had the inclination to go on more regular walks and enjoy "shinrinyoku". This is a Japanese word I learned last year which literally means "forest bathing" but translates as "a walk in the woods for enjoyment". Though not the woods, the avenue leading to Powerscourt Estate, a big house and gardens not far from us, is very scenic and lined with stately trees. We went on a family sketching day there in April.

For some actual shinrinyoku, there are the easily accessible, and very close to us, woods on the side of Bray Head. This is an April 19th sketch of a very knotty and ivy covered tree that I liked. I enjoy doing sketches using watercolour pencils, bringing along a small plastic container of water with me, just dipping the pencils in water as I wish.

On the bank holiday Monday just past, the bluebells were out in full force in these woods.

Again, a sketch using watercolour pencils on a very pleasant day.