This is a November self-portrait in watercolour pencil. I have a tendency to squint when I attempt a smile at myself.
Before starting the residency at Signal Art Centre, I had prepared a number of canvases in advance with a heavy scrim texture and applied an undercoat of quinacridone violet. So I wasted no time in blocking my canvases once ensconced in the studio!
My paintings are always a slow build up of colour.
The largest canvas has its place on the large easel in the studio, but the small canvases would be on the adjacent table or hand held when I was working on them.