Well, the presents are all wrapped, the house and tree are decorated, gingerbread cookies made... with just a few things left to do, I am definitely in full-swing Christmas mode. Certainly this has been a humdinger of a year, but still there are many things to be grateful for. One of the last things for me will be, through this blog, to send out good wishes into the ether, for readers to have a happy, healthy holiday and a joyous new year. I will not be posting again until next year. Keep well, stay safe.
Wednesday, 23 December 2020
Wednesday, 16 December 2020
As part of my studio residency (whether at home due to lockdown, or at Signal Arts Centre when allowed) a daily self-portrait is de rigueur. I have blogged about previous selfies from this year's residency here and introduced the residency, with links to previous years here.
During August of this year, both myself and my husband, sculptor James Hayes, took part in the Aos Dara/Umha Aois combined symposium. I posted about my work here and here, but one of the things James did as part of his work was to experiment with making "iron gall ink" out of oak galls found in Tomnafinnoge Wood. He recorded the entire process, posting a, 11.5 minute video to youtube, which may be seen here. He exhibited the video, along with other work, in the culminating exhibition to celebrate work done during the Aos Dara/Umha Aois combined symposium this year along with work done during last year's Aos Dara symposium. I blogged about the exhibition here.
James also used the same method to make a jar of ink from walnut shells, which he had found during a site meeting at a park in Dublin. Taking up a pen nib and holder, I used the walnut ink to create a self portrait one afternoon, while in lockdown.
Wednesday, 9 December 2020
With the second lockdown ended on December 1, Signal Arts Centre prepared in advance to open its doors to its annual Christmas Craft Fair.
Wednesday, 2 December 2020
My intention for this year's studio residency at Signal Arts Centre was threefold: to do a daily self-portrait (see blog post here), make a number of unique silk fibre pages (see blog post here), and to create a new series of prints as part of my body of work, Memory Is My Homeland. My initial intention was to create monoprints on the handmade silk fibre paper. However, after doing several tests, which I discussed here, I decided to do linoprints, which I discussed here. Everything was going swimmingly until a second lockdown meant that I was going to be working at home instead of the Signal studio.
Since I normally work in my home studio, theoretically this wasn't a big deal BUT the road where Signal Arts Centre is located was blocked off due to construction on a nearby bridge and the printing press was still in the studio at Signal. As I had hoped, the road was only blocked off for two weeks, during which time I could prepare lino blocks, cut paper, etc. so that I would be good to go once I retrieved the press. In any case, my home studio is in the attic so any printmaking would have to be done downstairs. For several weeks then, the kitchen was the area for preparing paper and inking the blocks.