The work on my big painting, Knockeen, is going on at a steady but slow pace. I posted about the beginnings of this painting here, and some thoughts about how it was developing in March, here. As I mentioned before, it is slow and steady work. By the end of March I had all colours blocked in and started re-working particular areas.
Wednesday, 19 May 2021
The night sky got some further work to make the stars and the comet (Hyakutake as a matter of fact!) more apparent. I am planning further painting in this area, but I wanted to get some of the main elements in before I moved on to another area.
I worked on getting some colour into the whole sky. Although I like the specific blue of the daylight sky, I see it eventually taking on a lighter shade.
While I abhor browns, I want the outbuildings to have a darker, more defined presence. A mix of purples and reds has a rich bronzey effect that I am happy with. I paint thinly in glazes so the under drawing and previous washes of colour are always visible. I love showing the painting's history and development.
I also want some of foliage in the foreground to be more intense. You can see here how I painted a brighter green on the montbretia leaves.